Seb Lester works in London as a type designer, illustrator and artist. He has created typefaces and type illustrations for some of the world's biggest companies, publications and events, including the likes of Apple, Nike, Intel, The New York Times, The 2010 Vancouver Winter Olympics and JD Salinger's final reissue of The Catcher in the Rye. He is passionate about letterforms. vimeo.com
Grimm's Household Talesby Brothers Grimm, translated by Margaret Hunt RAPUNZEL
There were once a man and a woman who had long in vain wished for a child. At length the woman hoped that God was about to grant her desire. These people had a little window at the back of their house from which a splendid garden could be seen, which was full of the most beautiful flowers and herbs. It was, however, surrounded by a high wall, and no one dared to go into it because it belonged to an enchantress, who had great power and was dreaded by all the world. One day the woman was standing by this window and looking down into the garden, when she saw a bed which was planted with the most beautiful rampion (rapunzel*), and it looked so fresh and green that she longed for it, and had the greatest desire to eat some. This desire increased every day, and as she knew that she could not get any of it, she quite pined away, and looked pale and miserable. Then her husband was alarmed, and asked, "What aileth thee, dear wife?" "Ah," she replied, "if I can't get some of the rampion, which is in the garden behind our house, to eat, I shall die." The man, who loved her, thought, "Sooner than let thy wife die, bring her some of the rampion thyself, let it cost thee what it will." In the twilight of evening, he clambered down over the wall into the garden of the enchantress, hastily clutched a handful of rampion, and took it to his wife. She at once made herself a salad of it, and ate it with much relish. She, however, liked it so much—so very much, that the next day she longed for it three times as much as before. If he was to have any rest, her husband must once more descend into the garden. In the gloom of evening, therefore, he let himself down again; but when he had clambered down the wall he was terribly afraid, for he saw the enchantress standing before him. "How canst thou dare," said she with angry look, "to descend into my garden and steal my rampion like a thief? Thou shalt suffer for it!" "Ah," answered he, "let mercy take the place of justice, I only made up my mind to do it out of necessity. My wife saw your rampion from the window, and felt such a longing for it that she would have died if she had not got some to eat." Then the enchantress allowed her anger to be softened, and said to him, "If the case be as thou sayest, I will allow thee to take away with thee as much rampion as thou wilt, only I make one condition, thou must give me the child which thy wife will bring into the world; it shall be well treated, and I will care for it like a mother." The man in his terror consented to everything, and when the woman was brought to bed, the enchantress appeared at once, gave the child the name of Rapunzel, and took it away with her.
Rapunzel grew into the most beautiful child beneath the sun. When she was twelve years old, the enchantress shut her into a tower, which lay in a forest, and had neither stairs nor door, but quite at the top was a little window. When the enchantress wanted to go in, she placed herself beneath this, and cried,
"Rapunzel, Rapunzel,
Let down thy hair to me."
Rapunzel had magnificent long hair, fine as spun gold, and when she heard the voice of the enchantress she unfastened her braided tresses, wound them round one of the hooks of the window above, and then the hair fell twenty ells down, and the enchantress climbed up by it.
"Rapunzel, Let Down Your Hair - Illustration by Anne Anderson
Old Cyrillic alphabet illustrated by Elisabeth Bohm (Елизавета Меркурьевна Бём; 1843-1914), a Russian painter and the most successful prominent author of postcards in 19th century Russia.
David Fuhrer is a self taught Artist born 1985, in the capital of Switzerland, Bern. Grown up in the 90’s has influenced David’s Work. He started experimenting with creating visuals in the early days of the computer. With a focus on illustration, and an even tighter focus on intricate detailing David’s high scale Artworks are some of the most inspiring and exciting work to flourish from community. His imagination in unity with his broad library of skills has allowed him to create some of the most out-of-his-world images.
David mainly uses Photoshop in addition of Wacom Cintiq. He also uses Cinema 4d and Maya for some basic 3D Stuff. For Vectors he uses Illustrator.
Most images are fully painted in Photoshop by Hand. David uses 3D Software for a Grid Outline to paint over. Some images have some 3D Renderings and Reference Stocks mixed in them too.
Menerga - Energy Systems
"Illustration I made for Menerga Energy Systems.
This is a tree with it's roots going down into earth until it reaches the core. There lies a menerga energy unit. providing the tree with power."
This map is created by cartographer Jonah M. Adkins. "The Geography of LOST: Retrospective is the result of a four year geographic study of the fictious ISLAND from the TV show LOST."
People don't have fortunes left them in that style nowadays; men have to work and women to marry for money. It's a dreadfully unjust world.
Louisa May Alcott (1832-1888)